Angelika Kauffmann
1741-1807,Swiss neoclassical painter and graphic artist. From her youth she was known for her artistic, musical, and linguistic abilities. She went to England, where she enjoyed success as a fashionable portrait painter and decorator. A protegee of Sir Joshua Reynolds, Kauffman was one of the original members of the Royal Academy. She often decorated houses designed by the Adam brothers. After her marriage in 1781 to the Venetian painter Antonio Zucchi, she lived in Italy, where she flourished in artistic and literary circles. Reynolds, Winckelmann, Goethe, and Garrick commissioned her to paint their portraits. Representative works include Religion (National Gall., London); Self-Portrait (Staatliche Museen, Berlin); and the etchings of L'Allegra and La Pensierosa. The British Museum has a collection of her drawings and prints. Related Paintings of Angelika Kauffmann :. | Williams Wynne Ryland Nach Angelika Kaufmann Elenora Saugt Gift aus der Wwnde ihres Mannes,Konig Edwards | Selbstbidnis | Elektra gibt ihre Schwester Chyrsothemis ihren Gurtel und die Locken des Orest fur das Grab Des Agamemnon | Allegorie des Winters | Bildnis John Simpson | Related Artists: FIORENZO DI LORENZOItalian painter, Umbrian school (b. ca. 1445, Perugia, d. ca. 1525, Perugia) franz von schoberwas a student in Vienna, where he met F. Schubert, E. Bauernfeld, and M. von Schwind. He is the author of twelve poems set to music by Schubert between 1815 and 1827, of which the best known is An die Musik (Du holde Kunst). In later life Schober was a secretary of legation (Legationsrat) in Weimar. Carl Wilhelmson1866-1928
Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop
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